![]() ![]() Easterbrook accidentally witnesses the death of one of the victims and then finds himself involved when a list of names is located in the shoe of a recently deceased priest includes his godmother, who also recently passed. In the novel, most of the legwork is done by a historian who gets caught up in the case, Mark Easterbrook. It's one of Christie's lesser adapted puzzlebox creations, one that technically doesn't have a professional detective outside the policeman assigned to the case, Inspector Lejeune. ![]() (And her take on Poirot last year was quite different than any seen before.) The Pale Horse follows this trend. ![]() Murders, Phelps has stayed away from any of Christie's familiars. And like her previous works, it takes Christie in new directions, using the story less as a mandate and more as a jumping-off point.Įxcept for The A.B.C. The Pale Horse is Phelp's fourth turn with Christie, following 2016's The Witness for the Prosecution, 2018's Ordeal by Innocence and last year's The A.B.C. Rowling, and literary-themed shows like Dickensian. The eventual decision was to go with Sarah Phelps, writer of such adaptations as The Casual Vacancy by J.K. When Agatha Christie's Poirotfinally finished its run in 2013, it was a watershed moment, as British TV struggled to figure out how to continue to tap into one of its most celebrated (and prolific) writers, following the conclusion of such a genre-defining series. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |